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【實(shí)用】學(xué)英語作文匯總九篇
在日常學(xué)習(xí)、工作抑或是生活中，大家最不陌生的就是作文了吧，作文要求篇章結(jié)構(gòu)完整，一定要避免無結(jié)尾作文的出現(xiàn)。如何寫一篇有思想、有文采的作文呢？以下是小編整理的學(xué)英語作文9篇，歡迎大家分享。
學(xué)英語作文 篇1
It was a fine day today. We went to visit the Yakult Milk Factory.
At nine o’clock we all meet at the playground. We went there by school bus. When we got there, we watched a short cartoon.
It is the introduction of the Yakult milk. And we also drank a bottle of Yakult milk too. It is so delicious. After that they showed us around the workshops. It is so clean and quiet. Most of them are machines.
There are a few workers in this factory. It is the first time for me to see such a mechanical factory.
At noon, we went to the MacDonald’s for lunch.
Today was a happy day for me.
學(xué)英語作文 篇2
learning english is not just a matter of knowing some grammatical rules and memorizing a number of english words， although those are important activities not to be ignored。 mastering a foreign language is learning a skill， as well as acquiring the language knowledge。 it's as much like learning to swim or ride a bike。 then you should not only memorize new words and understand grammatical rules， but also practice speaking， writing， listening and reading。here are some suggestions about effective practice。
first， make your month or hand do what your mind is learning si multaneously。 second， study continually day by day and do not expect to learn english well overnight。 third， occasionally go back and review old topics and texts to consolidate what you have learned。 fourth， do not be afraid to make mistakes， otherwise the fear can be a mighty ob stacle to learning a language。
學(xué)英語作文 篇3
Directions: Write a letter of thanks according to the following situation. Once you were ill and were hospitalized for a few weeks in the Chaoyang Medical Center, Taiyuan, Shanxi Province. During your stay the entire staff were kind to you. When you came back home, you wrote them a letter of thanks.
Write your letter in no less than 150 words. Do not sign your own name at the end of the letter; use Li Ming instead. You do not need to write the address.
June 23, 20xx
Dear Sir/Madam,
I’m writing to extend my heartfelt thanks to all the nurses and doctors in your hospital.
Last month, while I was on a business trip in Taiyuan, Shanxi province, I suffered from a bad cold and a fever, so I was sent to Ward Rom 201, Chaoyang Medical Center. During my stay at hospital, nurses on duty patiently took my temperature, regularly examined my body, and often fed meals to me. In addition, doctors prescribed me the most effective drugs and gave the best medical advice. Thanks to the constant care from the hospital staff, I recovered quickly. Now that I have returned home, the excellent service of your hospital still impresses me. I believe that as patient, I have received the most professional treatment and the most considerate care.
Please allow me to convey my sincere greetings toward the doctors and nurses that contribute all their efforts, patience and energy to their patients. Nothing can express my gratitude except my best wishes to them. If you have anything that needs my help, please don’t hesitate to contact me.
Yours sincerely,
原因:
1.A number of factors are accountable for this situation.
A number of factors might contribute to (lead to )(account for) the phenomenon (problem).
2.The answer to this problem involves many factors.
3.The phenomenon mainly stems from the fact that...
4.The factors that contribute to this situation include...
5.The change in ...largely results from the fact that...
6.We may blame ...,but the real causes are...
7.Part of the explanations for it is that ...
One of the most common factors (causes .is that ...
Another contributing factor (cause .is ...
Perhaps the primary factor is that …
But the fundamental cause is that
學(xué)英語作文 篇4
Recently, I heard that one of my friends wanted to change his major after one-year learning because he found that he had no interest and motivation in learning this major. From my point of view, it is not wise to change major halfway.
最近，我聽說我一個(gè)朋友說經(jīng)過一年的學(xué)習(xí)后他想換專業(yè)，因?yàn)樗l(fā)現(xiàn)他對(duì)現(xiàn)在這個(gè)專業(yè)沒有任何的興趣和動(dòng)力。從我的角度來看，中途換專業(yè)是不明智的。
There are several disadvantages of changing major halfway. In the first place, changing major halfway means that we spend much time, energy and money in the last major but do not mastered the whole knowledge of that major yet. Second, changing major halfway needs a great resolution and we will face much pressure from others. Finally, changing major halfway may increase the burden of our family finance in that we need to spend another amount of money on another major. In addition, if we change our major halfway, we will lose a chance to find out our potential. Lack of persistence and willpower, we are difficult to be successful.
中途換專業(yè)有幾點(diǎn)弊端。首先，中途換專業(yè)意味著我們要花更多的時(shí)間，精力和金錢在后面的專業(yè)上，卻還不能全面的掌握該專業(yè)的知識(shí)。第二，中途換專業(yè)需要很大的決心而且我們要面臨來自其他人的`壓力。最后，中途換專業(yè)可能會(huì)增加我們的家庭經(jīng)濟(jì)負(fù)擔(dān)，因?yàn)槲覀冃枰硗庖淮蠊P錢在另一個(gè)專業(yè)上。此外，如果我們中途換了專業(yè)，我們就會(huì)失去一個(gè)發(fā)現(xiàn)我們潛能的機(jī)會(huì)。缺乏毅力和意志力是很難成功的。
In short, it is not advocated that we change major halfway. Therefore, we had better take all aspects into consideration when we are choosing major so that we can avoid change major halfway. Once we choose a major, we should try our best to learn it better.
總之，不主張中途換專業(yè)。因此，在選擇專業(yè)的時(shí)候我們最好全面考慮清楚，這樣我們就可以避免中途換專業(yè)。一旦我們選擇了一個(gè)專業(yè)，我們就應(yīng)該盡最大努力把它學(xué)好。
學(xué)英語作文 篇5
Hi, my name is computer, this is my friend Internet.
Computer: “I am a very helpful tool. Now, almost everybody gets their own computer, workers use me for work, students use me for home work and school work.”
“So do I.” said Internet, “If a computer doesn’t have Internet, it won’t be helpful any more. People have to find information from Internet, so I am a very helpful tool, too! “
Computer: “Internet is more helpful than I!”
Internet: “No. If people don’t have computer, how could they get on to the Internet? And if there’s no internet, computer maybe is a garbage now, right?”
Computer: “People made me first, and they made me because they need me. Then people made you, it’s because they need to find Information from you. That’s why people made us.
Internet: “But I still don’t understand how people get information from me.”
Computer: “Lots of people put the thing that they know on the Internet, so they could share them with others and that’s why people made yahoo and google for, they help people to find information much faster.”
學(xué)英語作文 篇6
there was a bit of a fuss at tate britain the other day. a woman was hurrying through the large room that houses lights going on and off in a gallery, martin creeds turner prize-shortlisted installation in which, yes, lights go on and off in a gallery. suddenly the womans necklace broke and the beads spilled over the floor. as we bent down to pick them up, one man said: perhaps this is part of the installation. another replied: surely that would make it performance art rather than an installation. or a happening, said a third.
these are confusing times for britains growing audience for visual art. even one of creeds friends recently contacted a newspaper diarist to say that he had visited three galleries at which creeds work was on show but had not managed to find the artworks. if he cant find them, what chance have we got?
more and more of londons gallery space is devoted to installations. london is no longer a city, but a vast art puzzle. net to creeds flashing room is mike nelsons installation consisting of an illusionistic labyrinth that seems to lead to a dusty tate storeroom. its the security guards i feel sorry for, stuck in a fau back room fielding tricky questions about the aesthetic merits of conceptual art simulacra and helping people with low blood sugar find the way out.
every london postcode has its installation artist. in sw6 luca vitoni has created a small wooden bo with grass on the ceiling and blue sky on the floor. visitors can enhance the eperience with free yoga sessions. in w2 the serpentine gallery has commissioned doug aitken to redesign its space as a sequence of dark, carpeted rooms with dramatic filmed images of icy landscapes, waterfalls and bored subway passengers miraculously swinging like gymnasts around a cross-like arrangement of four video screens. the gallery used to be stables, you know. not to be outdone, in se1 tate modern has a wonderful installation by juan munoz.
at the launch of this years turner prize show, a disgruntled painter suggested that the ice cream van that parks outside the tate should have been shortlisted. this is a particularly stupid idea. where would we get our ice creams from then?
what we need is the answer to three simple questions. what is installation art? why has it become so ubiquitous? and why is it so bloody irritating?
first question first. what are installations? installations, answers the thames and hudson dictionary of art and artists with misplaced self-confidence, only eist as long as they are installed. thanks for that. this presumably means that if the ice cream van man took the handbrake off his installation van no1, it wouldnt be an installation any more.
the dictionary continues more promisingly: installations are multi-media, multi-dimensional and multi-form works which are created temporarily for a particular space or site either outdoors or indoors, in a museum or gallery.
as a first stab at a definition, this isnt bad. it rules out paintings, sculptures, frescoes and other intuitively non-installational artworks. it also says that anything can be an installation so long as it has art status conferred on it (your flashing bulb is not art because it hasnt got the nod from the gallery, so dont bother writing a funny letter to the paper suggesting it is). the important question is not what is art? but when is art?
the only problem is that this definition also leaves out some very good installations. consider richard wilsons 20:50. it consists of a lake of sump oil that uncannily reflects the ceiling of the gallery. spectators penetrate this lake by walking along an enclosed jetty whose waist-high walls hold the oil at bay. this 1987 work was originally set up in matts gallery in east london, through whose windows one could see a bleak post-industrial landscape while standing on the jetty. the installation, awash in old engine oil, could thus be taken as a comment on thatcherite destruction of manufacturing industries. then something very interesting happened. thatchers ad man charles saatchi put 20:50 in his windowless gallery in west london, depriving it of its contet. but the thames and hudson definition does not allow that this 20:50 is an installation because it wasnt created for that space. this is silly: it would be better to say there were two installations - the one at matts and the other at the saatchi gallery.
or think about damien hirsts in and out of love. in this 1991 installation, butterfly cocoons were attached to large white canvases. heat from radiators below the cocoons encouraged them to hatch and flourish briefly. in a separate room, butterflies were embalmed on brightly coloured canvases, their wings weighed down by paint. the spectator needed to move around to appreciate the full impact of the work. unlike looking at paintings or sculptures, you often need to move through or around installations.
what these two eamples suggest to me is that we are barking up the wrong tree by trying to define installations. installations do not all share a set of essential characteristics. some will demand audience participation, some will be site-specific, some conceptual gags involving only a light bulb.
installations, then, are a big, confusing family. which brings us to the second question. why are there so many of them around at the moment? there have been installations since marcel duchamp put a urinal in a new york gallery in 1917 and called it art. this was the most resonant gesture in 20th century art, discrediting notions of taste, skill and craftsmanship, and suggesting that everyone could be an artist. futurists, dadaists and surrealists all made installations. in the 1960s, conceptualists, minimalists and quite possibly maimalists did too. why so many installations now? after all, two of this years four turner prize candidates are installation artists.
american critic hal foster thinks he knows why installations are everywhere in modern art. he reckons that the key transformation in western art since the 1960s has been a shift from what he calls a vertical conception to a horizontal one. before then, painters were interested in painting, eploring their medium to its limits. they were vertical. artists are now less interested in pushing a form as far as it will go, and more in using their work as a terrain on which to evoke feelings or provoke reactions.
many artists and critics treat conditions like desire or disease as sites for art, writes foster. true, photography, painting or sculpture can do the same, but installations have proved most fruitful - perhaps because with installations the formalist weight of the past doesnt bear down so heavily and the artist can more easily eplore what concerns them.
why are installations so bloody irritating, then? perhaps because in the many cases when craftsmanship is removed, art seems like the emperors new clothes. perhaps also because artists are frequently so bound up with the intellectual ramifications of the history of art and the cataclysm of isms, that those who are not steeped in them dont care or understand. but, ultimately, because being irritating need not be a bad thing for a work of art since at least it compels engagement from the viewer.
but irritation isnt the whole story. i dont necessarily understand or like all installation art, but i was moved by double bind, juan munozs huge work at tate modern. a false mezzanine floor in the turbine hall is full of holes, some real, some trompe loeil and a pair of lifts chillingly lit and going up and down, heading nowhere. to get the full impact, and to go beyond mere illusionism, you need to go downstairs and look up through the holes. there are grey men living in rooms between the floorboards, installations within this installation. its creepy and beautiful and strange, but you need to make an effort to get something out of it.
the same is true for martin creeds lights going on and off, though i didnt find it very illuminating. my work, says martin creed, is about 50% what i make of it and 50% what people make of it. meanings are made in peoples heads - i cant control them.
its nice of creed to share the burden of significance. but sadly for him, few of the spectators were making much of his show last week. his room was often deserted, but the rooms housing isaac juliens boring films and richard billinghams dull videos were packed. maybe creeds aim is to drive people away from installation art, or maybe he is just not understood. whatever. the lights were on, and sometimes off, but nobody was home.
學(xué)英語作文 篇7
my house contain four people, having me the daddy respectively, my mama, my grandmother, also have me!
we live together very happy!but our occupations are all different.my father does department of financial analysis to do a finance work, my mother also does a finance work in the department of financial analysis, so my house has 2 to compute a good person to hold!
my daddy is a work in samely the hospital with my mama!still had me the grandmother to also work at the hospital before of, she is to be a nurse, however retired now!
although my grandmother at ordinary times very overelaborate , very big doctor!but she also writes to think for our healthy bodies very much!but i be just an inside learn of student!my house is a happy family!
學(xué)英語作文 篇8
City
城市
This is Beijing .It’s in the north of china .It’s got fourteen million people .It’s very big .There is a very famous wall in Beijing .The Great Wall .
It’s about six thousand seven hundred kilometers.And there is a famons square in the middle of Beijing it’s beautifui . It’s Tian’anmen square .I like Beijing .I want to go to Beijing one day.
【參考翻譯】
這是北京，在中國(guó)北部。它有14000000人，這是非常大的'，有一個(gè)很著名的墻是北京的長(zhǎng)城。
這大約六七百里，并且在北京的中央是很美麗、很著名的一個(gè)廣場(chǎng)。這是天安門廣場(chǎng)。我很喜歡北京。我想去北京一天。
學(xué)英語作文 篇9
My father is a teacher, he grow fat, wearing a pair of glasses, a crew cut, height is not high.
Dad like swimming, running, playing table tennis, reading, travel.
My father is very strict with me, he often education I to be polite. Once a guest to an uncle's, my uncle gave me a big, round apple, I took apple from uncle in, was eating with relish, and on the way home, my father teach me said: "coming to do a polite child, someone give you something, to say thank you."
Dad asked me to do an honest man. I once secretly watching TV in the room, dad told me to open the door, I quickly turned off the TV, dad said to me: "what are you doing?" I said: "I'm reading a book." He looked, he said: "you're lying? You got me? Do you say?" I have to admit it. Dad said to me: "do something wrong to admit to himself, don't lie, say is good." Dad taught me to keep in mind in my heart.
My father is a demanding person, I like my father, is he education since I was young to do a polite and honest person.